Harvard Style Dissertations 1 by anamaulida
Harvard Dissertation Motivation
4 See Emmet Robbins' essay, "Famous Orpheus," in Orpheus: The Metamorphosis of a Myth, ed. John Warden (Toronto: University of Toronto Press, 1982), pp. 3-23. See also Joan M. Erikson, Legacies: Prometheus, Orpheus, and Socrates (New York: Norton, 1993); William K. C. Guthrie, Orpheus and Greek Religion: A Study of the Orphic Movement, rev. ed. (New York: Norton, 1966; rpt. Princeton University Press, 1993); Elizabeth A. Newby, A Portrait of the Artist: the Legends of Orpheus and Their Use in Medieval and Renaissance Aesthetics, Harvard Dissertations in Comparative Literature (New York: Garland, 1987); The "Vulgate" Commentary on Ovid's Metamorphoses: The Creation Myth and the Story of Orpheus, ed. Frank T. Coulson (Toronto: Pontifical Institute of Mediaeval Studies, 1991); Le Mythe d'Orphée aux Animaux et ses Prolongements dans le Judaisme, le Christianisme et l'Islam, ed. Andre Dupont-Sommer (Rome: Accademia nazionale dei lincei, 1975).
Harvard Dissertation Colloquium
The Isham Memorial Library holds copies of all Harvard dissertations prepared under the auspices of the Department of Music; originals are deposited at the Harvard University Archives. All Harvard dissertations in music completed in 1985 and later are available through . Requests for copies of earlier dissertations should be directed to the Harvard University Archives.