JM COETZEE, 'GIVING OFFENCE: ESSAYS ON CENSORSHIP', 1994

, born in London of British and Yoruba parents; he grew up in Lagos and was educated at the University College of Wales, Swansea, and London University's School of Oriental and African Studies. He became a researcher for . Loyalties and Other Stories () are short stories drawing on his experiences of Nigeria. He has subsequently made the documentary essay his principal medium, in the belief that it is most suited to his investigations of the British and Nigerian cultures he has inherited. His most highly regarded works are In My Father's Country (), an account of his travels in Nigeria, and How Many Miles to Babylon? (), on racial consciousness in contemporary Britain. His other publications include Who's Afraid of Wole Soyinka?: Essays on Censorship (), an examination of censorship in Africa, and A Mask Dancing: Nigerian Novelists of the Eighties (). He edited Christopher Okigbo: Collected Poems () and The Heinemann Book of African Poetry in English ().

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Coetzee, J. M. Giving Offense: Essays on Censorship. Chicago: University of Chicago Press, 1996.

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Coetzee, J. M. 1996. Giving Offense: Essays on Censorship. Chicago, IL: University of Chicago Press.

An Essay on Censorship- Latest Update - Times of India

On August 28, 2000 an article in the "New York Times" by David D. Kirkpatrick illustrated a new example of one of the oldest forms of censorship and book banning. A warning to practice what you preach. If you're for free speech, make sure you are not preventing it. This article on a new organization wanting to "restrict access to public library materials it deems inappropriate" is now not found, but we have redirected the link to People For the American Way Constituional Liberties page. An essay on censorship of that which is written, both in the form of books and that of the internet. Here is an article on American Library Association (ALA) Banned Books Week and what some feel it stands for. A discussion with Herbert Foerstel, author of the book , about censorship. "But by far the most common type of censorship involves books quietly disappearing from libraries. Sometimes a parent who objects to a book but doesn't want to go through a formal challenge just slips it off the shelf. Frequently a librarian who may fear for her job removes a book that has become controversial." Just a taste of what this article holds.

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Giving Offense: Essays on Censorship by J

The remaining plea for exempting Literature from Censorship, put forward by unreflecting persons: That it would require too many Censors--besides being unworthy, is, on the face of it, erroneous. Special tests have never been thought necessary in appointing Examiners of Plays. They would, indeed, not only be unnecessary, but positively dangerous, seeing that the essential function of Censorship is protection of the ordinary prejudices and forms of thought. There would, then, be no difficulty in securing tomorrow as many Censors of Literature as might be necessary (say twenty or thirty); since all that would be required of each one of them would be that he should secretly exercise, in his uncontrolled discretion, his individual taste. In a word, this Free Literature of ours protects advancing thought and speculation; and those who believe in civic freedom subject only to Common Law, and espouse the cause of free literature, are championing a system which is essentially undemocratic, essentially inimical to the will of the majority, who have certainly no desire for any such things as advancing thought and speculation. Such persons, indeed, merely hold the faith that the People, as a whole, unprotected by the despotic judgments of single persons, have enough strength and wisdom to know what is and what is not harmful to themselves. They put their trust in a Public Press and a Common Law, which deriving from the Conscience of the Country, is openly administered and within the reach of all. How absurd, how inadequate this all is we see from the existence of the Censorship on Drama.

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